15 April 2013

I finally got a chance to dive into Sarah Waters' work and I am content. I have made a special note that the fall season really is the best time to experience her work, so I'm looking forward to Carl's RIP Challenge this year even more so.

BookLust reviewed the audiobook and as I was coming off audios which really weren't up my alley, I went ahead and downloaded The Little Stranger. This Gothic tale had the right amount of spooky atmosphere, psychological thriller, and bump-in-the-night ghost story tale to wonderfully keep me a bit on edge when I'd listen to it in the car on a cold and dark night.

Dr. Farady has a long history with Hundreds Hall, a rambling and sprawling English manor that has seen better days. When once his mother used to work there in the prime of pre-World War II life, the post-war era certainly has a crumbling result, both to the home and to the family. With only two servants now supporting the house, and the Ayers family living an eccentric life, Dr. Faraday's relationship begins. It's a slow and quiet build-up of eerie tension and with Dr. Faraday building an uncomfortable attachment to the house and family, there is the sense that perhaps he is an unreliable narrator. Although he delivers the events as they happen to him and the family, part of me questioned whether or not I should believe him. Needless to say, that contributed to the success of the disturbing tale.

Simon Vance was a phenomenal narrator, and you may recall that while I didn't like the story of Dr. No, I finished the audio only because of Simon Vance.

Fans of Asylum by Patrick McGrath will be pleased with this story.

Others said:
BookLust
Prairie Horizons

Publisher: Penguin Audio
Release Date: 5/8/2009
Audio Time: 15 hours, 54 minutes
Narrator: Simon Vance

FTC Disclosure: I purchased this book from Audible.com

About the Author

Sarah Waters, a Welsh novelist, is the author of five novels: Tipping the Velvet, AffinityFingersmith, The Night Watch, and The Little Stranger. All of them have either already been adapted for television, or the film rights have been optioned.

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