I cannot believe I waited this long in my life to dive into "real" science fiction. What have I been waiting for? Did I think it was all weird names, odd planets, and "too smart for me" subjects? Yep, sure did. With that stereotype in my head, I have only occasionally read science fiction that was recommended by the non-science fiction reader. Consequently, I ended up missing out on authors like Ursula Le Guin, and I wish I had tried more of this genre when I was younger.
I picked up this Le Guin novella because it was mentioned in Jo Walton's Among Others which I recently enjoyed. (Others might be familiar with Ursula Le Guin because she was also mentioned frequently in the book and movie The Jane Austen Book Club.) Among Others has been defined by several reviewers as a love letter to science fiction, particularly from the 1970s, and while I enjoyed the story, I felt a bit left out with all of the books referenced. I committed to myself that I would read a few that Morwenna, the main character from the story, loved. I wanted to truly understand why there were such die-hard fans of science fiction.
The Lathe of Heaven did not disappoint and was a perfect book for a new science fiction reader like me. Yes, it did incorporate a few odd things here and there that I wasn't used to, but I expected it and actually rejoiced in it. I wanted to be challenged by my reading and I got it with this.
George Orr is a man who is afraid to sleep. He does everything he can to avoid it, but the human body can only go so long without sleep before finally succumbing to it. And with that, he dreams. The dreams are sometimes unimportant and inconsequential, meaning nothing to him when he awakens. Other times, though, the times that drive his fear, George Orr dreams of a change in the world, a shift in his own life. Upon awakening, he finds that what he has dreamed of has now actually happened and changed the world in some way.
For an ethical person, this is tough for George to deal with. He has the very power to adjust not just the future, but the past as well, and this also means that what he dreams of could remove or add actual people in the world. Knowing that people suddenly disappear out of existence, and their own family and friends don't even remember them, tortures George. Even the insignificant changes upset him, so he does everything he can to not dream.
After an overdose of medication that is supposed to stop him from dreaming, George Orr is required to go to therapy. His doctor, William Faber, appears congenial enough and willing to believe George's story, no matter how outlandish his fear may sound. If Dr. Faber had any doubts, it's completely squashed when Dr. Faber realizes that a picture painted behind his desk on the wall, now becomes a completely different image after he puts George into a dream-state sleep in his office and gives him general ideas to dream of. Normally, others can't feel a shift in their current existence, even if there are dramatic changes, but because Dr. Faber is monitoring George in this first session, he is able to acknowledge to himself that what George stated is true: George's dreams do change things. He doesn't admit to George that he fully believes, but instead begins a calculated therapeutic process of putting George to sleep in each session and giving him ideas of what to dream of next. But the torture then continues for George. After all, can you imagine what it would be like to have realities constantly change in the world, but only you know what's changed, who might no longer exist? What a terrible, awful burden.
Although Dr. Faber isn't setting out for personal gain, ultimately the ethical question remains, and the path taken to rid the world of certain horrible elements can be debated. Would a world without hate truly be perfect? If everyone were the same, would it make life easier? With these discussions, along with race, justice, eugenics, and the act of "playing God," The Lathe of Heaven is a divine science fiction classic novella that made me ponder these questions and much more.
So it's with this book that I learned that science fiction isn't only strange names, oddly-created creatures who can speak, or subjects that might be a bit above my abilities to understand. I instead found that science fiction does a doggone good job of questioning society, and gives an opportunity to the reader to truly evaluate what current-day controversies might be like in the future. It was a refreshing perspective, and I reveled in the fact that this book was written in 1971. Pretty cool thinking at the time, if you ask me.
And yes. I'll be reading much more science fiction and will ultimately not steer myself away from this section in the bookstore ever again.
Book club choice? Maybe, but you have to really have an open group to select something like this. It certainly would give a lot to bicker about, I think. It's a novella, so with less than 200 pages to read, why not pick this up and try it yourself?
A passage to remember:
If I've missed your review, let me know so I can add it here.
After an overdose of medication that is supposed to stop him from dreaming, George Orr is required to go to therapy. His doctor, William Faber, appears congenial enough and willing to believe George's story, no matter how outlandish his fear may sound. If Dr. Faber had any doubts, it's completely squashed when Dr. Faber realizes that a picture painted behind his desk on the wall, now becomes a completely different image after he puts George into a dream-state sleep in his office and gives him general ideas to dream of. Normally, others can't feel a shift in their current existence, even if there are dramatic changes, but because Dr. Faber is monitoring George in this first session, he is able to acknowledge to himself that what George stated is true: George's dreams do change things. He doesn't admit to George that he fully believes, but instead begins a calculated therapeutic process of putting George to sleep in each session and giving him ideas of what to dream of next. But the torture then continues for George. After all, can you imagine what it would be like to have realities constantly change in the world, but only you know what's changed, who might no longer exist? What a terrible, awful burden.
Although Dr. Faber isn't setting out for personal gain, ultimately the ethical question remains, and the path taken to rid the world of certain horrible elements can be debated. Would a world without hate truly be perfect? If everyone were the same, would it make life easier? With these discussions, along with race, justice, eugenics, and the act of "playing God," The Lathe of Heaven is a divine science fiction classic novella that made me ponder these questions and much more.
So it's with this book that I learned that science fiction isn't only strange names, oddly-created creatures who can speak, or subjects that might be a bit above my abilities to understand. I instead found that science fiction does a doggone good job of questioning society, and gives an opportunity to the reader to truly evaluate what current-day controversies might be like in the future. It was a refreshing perspective, and I reveled in the fact that this book was written in 1971. Pretty cool thinking at the time, if you ask me.
And yes. I'll be reading much more science fiction and will ultimately not steer myself away from this section in the bookstore ever again.
Book club choice? Maybe, but you have to really have an open group to select something like this. It certainly would give a lot to bicker about, I think. It's a novella, so with less than 200 pages to read, why not pick this up and try it yourself?
A passage to remember:
Orr was not a fast reasoner. In fact, he was not a reasoner. He arrived at ideas the slow way, never skating over the clear, hard ice of logic, nor soaring on the slipstreams of imagination, but slogging, plodding along on the heavy ground of existence. He did not see connections, which is said to be the hallmark of intellect. He felt connections - like a plumber. He was not really a stupid man, but he did not use his brains half as much as he might have done, or half as fast. It was not until he had got off the subway at Ross Island Bridge West, and had walked up the hill several blocks and taken the elevator eighteen floors to his one-room 8 1/2 x 11 flat in the twenty-story independent-income stell-and sleazy-concrete Corbett Condominium (Budget Living in Style Down Town!), and had put a soybean loaf slice in the infrabake, and had taken a beer out of the wallfridge, and had stood some while at his window - he paid double for an outside room - looking up at the West Hills of Portcland crammed with huge glittering towers, heavy with lights and life, that he thought at last: Why didn't Dr. Haber tell me that he knows I dream effectively?Others said:
If I've missed your review, let me know so I can add it here.
Publisher: EOS (an imprint of HarperCollins (my copy)
Release Date: First published 1971
Pages: 175
FTC Disclaimer: I checked this book out of my local Virginia Beach Public Library.
About the Author
As of 2011, Ursula K. Le Guin has published twenty-one novels, eleven volumes of short stories, four collections of essays, twelve books for children, six volumes of poetry and four of translation, and has received many awards: Hugo, Nebula, National Book Award, PEN-Malamud, etc. Her recent publications include the novel Lavinia, an essay collection, Cheek by Jowl, and The Wild Girls. Forthcoming in 2012, Finding My Elegy, New and Selected Poems. She lives in Portland, Oregon.
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